Kirill Aleksandrov


Born in 1955 in Moscow. 

From 1967 to 1969. studied at the Moscow Art School. 
From 1970 to 1973gg. studied painting in a private studio MT Khazanova. 
From 1972 to 1977gg. studied at the Moscow Polygraphic Institute. 
Since 1978. - Member of the Youth Section of the Union of Artists. 
Since 1986. - Member of the Moscow Union of Artists. 
Since 1990. - Member of the Moscow sculpture. 

Collections where works 

Works are in the Moscow Union of Artists, the Ministry of Culture of Russia, in private collections in Russia, Switzerland, France, Spain, Holland, England. 

Participation in exhibitions and auctions 

1978-1983 Regular book fairs; 
1983 First All-Union Exhibition of sculptures; 
1989 Autumn Exhibition of sculpture; 
1990 Dante's Ninth Biennial. Roven. Italy 
1994 Personal exhibition in Central House of Artists. Moscow; 
1994 Group Exhibition in Moscow in the House of sculptor sculpture. Moscow; 
1995 Personal exhibition in Central House of Writers. Moscow; 
1995 Personal exhibition in gallery "Studio 20". Center for Contemporary Art at Yakimanka. Moscow; 
1996 Exhibition together with T. Faydysh. Gallery "Manege". Moscow; 
1996 International Contemporary Art Fair "ARKO - 96". Madrid. Gallery "Manege". Moscow; 
1996 International Contemporary Art Fair "Stockolm Art Fair - 96". Sweden. Gallery "Manege". Moscow; 
1996 Presentation of the European ceramic center. Tshertogenbosh. Netherlands

Autobiographical notes

When you try to determine for themselves the framework, . which may now carry out their work, . is as follows: I need a starting original image, . which is saturated with superimposed on it and interpenetrating vzaimosootnesennymi meanings and associations, 
Must be a system of vague fleeting sensations, transforming into a new whole, but does include its mosaic past - a mysterious object that has the ghostly history of its development. Here it would be appropriate to compare with the many layers of meaning of poetry. For me, it is important that this was not the image, and the object that has no name, which exists on this side of the mirror, which adopted simple real form. 
In the area of the material is an attractive ceramics, "depicting the" other materials, thus making the work of some absurdity and the absurdity - the way in which I would like to avoid imitation. At the same time in the ceramics having problems connecting separate parts of constructive, technical properties, and is the "resistance of the material" for me is very attractive and interesting.